Robert Redford Reveals Hollywood Hierarchy of Disliked Actors

At 88, Robert Redford has opened up about fellow actors he “couldn’t stand” during his illustrious career, offering candid insights into Hollywood behind the scenes.

Known for his composed and respectful demeanor, Redford has rarely spoken negatively about colleagues until now. His list includes some of the industry’s most iconic names, though his criticisms focus on their professionalism and behavior rather than talent.

Jean Hackman

Redford recounts working with Hackman on Downhill Racer, praising their on-screen chemistry but noting personal clashes. He described Hackman as “a hammer in a violin shop” — a talented artist prone to impulsive tantrums and disruptive outbursts on set, which Redford found exhausting due to his disdain for chaos.

James Woods

Although they never shared the screen, Woods’s persistent attempts to join Redford’s projects didn’t succeed. Their political differences and Woods’s provocative personality led Redford to see him as chaotic, marking him with a firm “Never again” after a tense audition.

Dustin Hoffman

The pair’s collaboration in All the President’s Men was memorable, yet Redford found Hoffman’s improvisational style challenging. Hoffman often altered lines and shots, testing Redford’s patience, which resulted in their never working together again.

Tom Cruise

Redford’s experience with Cruise on Lions for Lambs was especially fraught. The actor’s desire to control aspects like lighting and editing conflicted with Redford’s vision for a subtle political message, leading to Redford emotionally disengaging from the project.

Faye Dunaway and Robert Duvall

With Dunaway on Three Days of the Condor, Redford faced her relentless perfectionism, which created a tense atmosphere despite the film’s success. Similarly, Duvall’s spontaneous acting clashed with Redford’s meticulous approach, resulting in on-set disagreements.

Paul Newman

Redford describes their partnership as close but ultimately strained as Newman sought greater control over their projects. Despite their legendary status, Redford felt overshadowed and marginalized, leading to a gradual estrangement.

Redford emphasizes that talent does not grant license for disrespectful behavior. He views filmmaking as a collaborative effort rooted in mutual respect and moral responsibility. Despite the glamor, he acknowledges Hollywood’s darker side.